A renowned but seldom emphasized chapter of the Indian freedom struggle – that the Indian National Army (INA) trials of 1945 – has got the full-scale therapy in Tigmanshu Dhulia’s Raag Desh, made by Rajya Sabha Television. The end result is a riveting, though not just thrilling, epic narrative that introduces a sensible blend of warfare, patriotic fervour, specialist legal sleights and good old human play. The situation was called the Red Fort trials, which turned into a rallying point for a country that had experienced enough of the British and has been intensifying its struggle for liberty.
The movie fills the viewers in with clinical information and information concerning the 3 guys and the battles that they fought and, consequently, is not always as emotionally stirring as it might have been had Dhulia embraced a less academic approach to the topic. That does not, however, rob Raag Desh of its significance – it’s a narrative that turns into the past to explore the many dimensions of nationalistic fire at a time once the nation is experiencing a stage where the idea of India has been virulently called to question and jeopardized.
Raag Desh highlights the active role that members of each religious denomination that calls India house played at the building of a free nation. That announcement of intent – the Azad Hind Fauj’s base – is.
The court proceedings are interspersed with violent conflict scenes as witnesses have been questioned about the motives behind the three patriots that, in Netaji’s call, broke off in the British Indian Army imprisoned by the Japanese during World War II.
Raag Desh puts freedom fighter along with famous lawyer Bhulabhai Desai (played brilliantly by Kenneth Desai) in the centre of the defence, underplaying marginally the Part of the Group of attorneys (like Jawaharlal Nehru, Tej Bahadur Sapru and Asaf Ali) setup by the Indian National Congress to shield the INA guys. In reality, it’s part of history which Nehru donned an attorney’s robes after several decades to assert on behalf of their INA officials on trial. This component of the narrative is touched upon but not entirely fleshed out, with Rajesh Khera playing with Nehru with certainty though he fails to bear a physical resemblance to India’s first Prime Minister.
Raag Desh is part war movie, part legal . However, above all, it’s a drama made as a reminder of the sacrifices of brave people – that the INA had a full-blown Rani Jhansi regiment controlled by Lakshmi Swaminathan (Mrudula Murali), that was to wed Prem Sehgal – introduced in the bigger context of this struggle for liberty. The movie always harps about the fact the those 3 under-trials are Hindu, Muslim and Sikh respectively – agents of a diverse state in the making. It was just natural that their destiny fired up individuals throughout India in the years leading up to Independence.
Amit Sadh creates the strongest impression since the excitable Dhillon. Kunal Kapoor and Mohit Marwah are equally continuous and in sync with the soul of both different men they flesh out. The sweeping arc of this period play might not be conducive to bringing out the only human areas of the 3 guys standing tall in service of the faith, but as a result of the efforts of those celebrities, Khan. Sehgal and dhillon are more than simply heroes. An individual may feel their thumping hearts and steady nerves as they combat the might of an empire.